Surreal objets, masks, The Tent Palace of the Delicious Air, Roy McFarlane performing, and the Poets’ Umbrellas.
Just back from the Big Poetry Weekend in Swindon: such a warm, cosy, collaborative and connective happening. It was my first one and I was struck by how the scale of it and the location made it incredibly rich: a smaller collective, engaging deeply with the work and each other, in the Tent Palace of the Delicious Air (a small marquee) in the garden of the Richard Jeffries Museum.
My highlights were: working on voices and masks with Fiona Benson (and her powerful, intense reading); Hilda Sheehan’s workshop on (a hungover) Sunday; the richness and quality of the open mic sessions; re-engaging and feeling energised about filmpoetry, and Nuar Alsadir‘s incredibly inspiring talk and reading – which really fired me up again about experimental, intuitive, interdisciplinary poetry.
I’m delighted to be running a session on Queering Ecopoetry at Poetry in Aldeburgh next month. This is an area I’ve been researching, reading and writing around since summer and it’s been extremely creatively rich. I’ll have poems, activities and critical quotes to share. It’ll be playful, interactive and – I hope – fabulously illuminating. British ecopoetry is, I think, overdue a good queering.
Here’s a video of some Nu-Rave eye-tentacled ‘zombie snails’ (famous from social media lately) to get you excited by the gloriously monstrous, colourful, permeable and interdepedent aspects of that lovely, pure ‘nature’ out there 🙂
Resources and Articles:
Over the last year, I’ve worked on a number of resources, some of which are out in the world and others currently in development. Here’s a run-down (I’ve been busy!):
A commission from the Poetry Society, here’s some inspiration for the National Poetry Competition, a resource based on two of my favourite past winners
Our Max Literacy ‘Talking Pictures’ resource will be available soon, through their website here – it’ll give a range of activities for primary age writers to engage with an art gallery and stage their own ‘living gallery
In collaboration with the Bristol Museums Service, I’ve also worked on a redesigned Arts Award booklet – which will enable young writers to achieve their Discover level award through writing about artwork in any gallery. More info on their Arts Award programme, here.
With a different museum collaborator, I was part of a team who developed the ArtBox, a resource for people living with dementia and their carers to engage with St Luke Drawing the Virgin and Child, a loaned painting on display in the City Museum & Art Gallery. This evolved from some Creative Cafe sessions I’d hosted there and the outputs of other creative sessions. The finished ArtBox is a thing of great beauty, with a poem around the lid I wrote from words from the sessions, as well as a magnetic poetry set inspired by the painting and our groups’ responses to it.
Finally, I’ve written an article on Resilience for freelance writers (a subject, of course, close to my heart!) which will be in an upcoming National Association of Writers in Education (NAWE) journal.
It’s great that so many of the projects I’ve worked on, from First Story to the Museum work, is translating into resources which I hope will support others’ creativity. More on the upcoming resources once they’re ready!
I’ll do another Queer Ecopoetry update after my session in Aldeburgh, this time next month.